协作的钢琴

1. Choose one of the following sonatas to perform with the provided violinist:

• Ludwig van Beethoven – Violin Sonata in F major, Op. 24
• 约翰内斯·勃拉姆斯:A大调小提琴奏鸣曲，作品. 100
• W.A. 莫扎特-降b大调小提琴奏鸣曲，K. 454

2. Choose one of the following pairs of songs to perform with the provided singer:

• Franz Schubert – “Liebesbotschaft” in G major 和 Claude Debussy – “Claire de lune” from “Fêtes galantes”, 升g小调
• Robert Schumann – “Mondnacht” in E major 和 Gabriel Fauré – “Fleur jetée” in F minor

3. 一首前奏曲和赋格，J.S. Bach from either book of The Well-Tempered Clavier.

4. One solo piano piece of the applicant’s choice written in the 19th or 20th century. The composer of this work must be different from any of those chosen from the lists in requirements #1 和 #2 above. 独奏曲目不需要凭记忆演奏.

5. One opera aria by WA Mozart with recitative from any vocal category, both recitative 和 aria to be played 和 sung at the same time by the applicant in the original language. Applicant will play 和 sing all parts 和 will be judged on coordination ability, not on vocal quality or vocal technical accomplishment.

6. A classical vocal work by an underrepresented composer to be played 和 sung at the same time by the applicant in the original language. Applicant will play 和 sing all parts 和 will be judged on coordination ability, not on vocal quality or vocal technical accomplishment.

7. Gaetano Donizetti – Cavatina: “Quel guardo il cavaliere” from Don Pasquale, first 10 measures only. All opera excerpts should demonstrate how well the applicant can bring all of the aspects of the orchestral score to the keyboard.

8. All major 和 melodic or harmonic minor scales: h和s one octave apart, 16的笔记, 最小四分音符=112, 平行运动的四个八度.

9. All major 和 minor arpeggios in root position: h和s one octave apart, 16的笔记, 最小四分音符=96, 平行运动的四个八度.

10. Sight-reading selections from vocal 和 instrumental literature.

1. Choose one of the following pairs of songs to perform with the provided singer:

• Franz Schubert – “Liebesbotschaft” in G major AND Claude Debussy – “Claire de lune” from “Fêtes galantes”, 升g小调
• Robert Schumann – “Mondnacht” in E major AND Gabriel Fauré – “Fleur jetée” in F minor

2. Choose one of the following, all parts to be played 和 sung by the applicant. 申请人 will play 和 sing all parts 和 will be judged on coordination ability, not on vocal quality or vocal technical accomplishment.

• Giacomo Puccini – La Bohème, Act III duet: Mimi/Marcello “Sa dirmi…scusi…” to end of duet
• Gaetano Donizetti – Lucia di Lammermoor duet: Lucia/ Enrico “Il pallor funesto…” complete to end of scene
• Jules Massenet – Manon, Recitative 和 Gavotte: Manon “Est-ce vrai?……”这是加沃特的结尾
• Leonard Bernstein – Trouble in Tahiti, Scene “What a movie!:黛娜和三重奏
• 理查德·施特劳斯——纳克索斯的阿里阿德涅, Composer’s Aria: Composer/ Music Master “Sein wir wieder gut…” complete to end of Prologue

3. One opera aria by WA Mozart with recitative from any vocal category, both recitative 和 aria to be played 和 sung at the same time by the applicant in the original language. Applicant will play 和 sing all parts 和 will be judged on coordination ability, not on vocal quality or vocal technical accomplishment.

4. A classical vocal work by an underrepresented composer to be played 和 sung at the same time by the applicant in the original language. Applicant will play 和 sing all parts 和 will be judged on coordination ability, not on vocal quality or vocal technical accomplishment.

5. Gaetano Donizetti – Cavatina: “Quel guardo il cavaliere” from Don Pasquale, first 10 measures only. All opera excerpts should demonstrate how well the applicant can bring all of the aspects of the orchestral score to the keyboard.

6. 一首前奏曲和赋格，J.S. Bach from either book of The Well-Tempered Clavier.

7. One solo piano piece of the applicant’s choice written in the 19th or 20th century. The composer you select must be different from any of those chosen from the lists in requirements #1 和 #2 above. 独奏曲目不需要凭记忆演奏.

8. All major 和 melodic or harmonic minor scales: h和s one octave apart, 16的笔记, 最小四分音符=112, 平行运动的四个八度.

9. All major 和 minor arpeggios in root position: h和s one octave apart, 16的笔记, 最小四分音符=96, 平行运动的四个八度.

10. Sight-read selections from vocal 和 instrumental literature.

1. A prepared vocal repertoire recital with the applicant’s own singer(s), 片长30分钟, 展示不同的时期, 风格, 和语言. 申请人 should provide a singer for the audition. 如有需要，MSM会推荐合作者. Performing from memory is not required, including solo repertoire.

2. Choose one of the following, all parts to be played 和 sung by the applicant. 申请人 will play 和 sing all parts 和 will be judged on coordination ability, not on vocal quality or vocal technical accomplishment.

• Giacomo Puccini – La Bohème, Act III duet: Mimi/Marcello “Sa dirmi…scusi…” to end of duet
• Gaetano Donizetti – Lucia di Lammermoor duet: Lucia/ Enrico “Il pallor funesto…” complete to end of scene
• Jules Massenet – Manon, Recitative 和 Gavotte: Manon “Est-ce vrai?……”这是加沃特的结尾
• Leonard Bernstein – Trouble in Tahiti, Scene “What a movie!:黛娜和三重奏
• 理查德·施特劳斯——纳克索斯的阿里阿德涅, Composer’s Aria: Composer/ Music Master “Sein wir wieder gut…” complete to end of Prologue

3. One opera aria by WA Mozart with recitative from any vocal category, both recitative 和 aria to be played 和 sung at the same time by the applicant in the original language. Applicant will play 和 sing all parts 和 will be judged on coordination ability, not on vocal quality or vocal technical accomplishment.

4. A classical vocal work by an underrepresented composer to be played 和 sung at the same time by the applicant in the original language. Applicant will play 和 sing all parts 和 will be judged on coordination ability, not on vocal quality or vocal technical accomplishment.

5. Gaetano Donizetti – Cavatina: “Quel guardo il cavaliere” from Don Pasquale, first 10 measures only. All opera excerpts should demonstrate how well the applicant can bring all of the aspects of the orchestral score to the keyboard.

6. 一首前奏曲和赋格，J.S. Bach from either book of The Well-Tempered Clavier.

7. One solo piano piece of the applicant’s choice written in the 19th or 20th century. The composer you select must be different from any of those chosen in requirements #1 和 #2 above. 独奏曲目不需要凭记忆演奏.

8. All major 和 melodic or harmonic minor scales: h和s one octave apart, 16的笔记, 最小四分音符=112, 平行运动的四个八度.

9. All major 和 minor arpeggios in root position: h和s one octave apart, 16的笔记, 最小四分音符=96, 平行运动的四个八度.

10. Sight-read selections from vocal 和 instrumental literature.

申请人 to the 艺术家文凭 program must perform with their own singer(s) for the ensemble selections. 如有需要，MSM会推荐合作者. Performing from memory is not required, including solo repertoire.

1. A prepared vocal repertoire recital with the applicant’s own singer(s), 片长45分钟, 展示不同的时期, 风格, 和语言. Performing from memory is not required, including solo repertoire.

2. Choose one of the following, all parts to be played 和 sung by the applicant. Applicant will play 和 sing all parts 和 will be judged on coordination ability, not on vocal quality or vocal technical accomplishment.

• Giacomo Puccini – La Bohème, Act III duet: Mimi/Marcello “Sa dirmi…scusi…” to end of duet
• Gaetano Donizetti – Lucia di Lammermoor duet: Lucia/ Enrico “Il pallor funesto…” complete to end of scene
• Jules Massenet – Manon, Recitative 和 Gavotte: Manon “Est-ce vrai?……”这是加沃特的结尾
• Leonard Bernstein – Trouble in Tahiti, Scene “What a movie!:黛娜和三重奏
• 理查德·施特劳斯——纳克索斯的阿里阿德涅, Composer’s Aria: Composer/ Music Master “Sein wir wieder gut…” complete to end of Prologue

3. One opera aria by WA Mozart with recitative from any vocal category, both recitative 和 aria to be played 和 sung at the same time by the applicant in the original language. Applicant will play 和 sing all parts 和 will be judged on coordination ability, not on vocal quality or vocal technical accomplishment.

4. A classical vocal work by an underrepresented composer to be played 和 sung at the same time by the applicant in the original language. Applicant will play 和 sing all parts 和 will be judged on coordination ability, not on vocal quality or vocal technical accomplishment.

5. Gaetano Donizetti – Cavatina: “Quel guardo il cavaliere” from Don Pasquale, first 10 measures only. All opera excerpts should demonstrate how well the applicant can bring all of the aspects of the orchestral score to the keyboard.

6. 一首前奏曲和赋格，J.S. Bach from either book of The Well-Tempered Clavier.

7. One solo piano piece of the applicant’s choice written in the 19th or 20th century. The composer you choose must be different from any of those chosen for the required recital or the list in requirement #2 above.

8. All major 和 melodic or harmonic minor scales: h和s one octave apart, 16的笔记, 最小四分音符=112, 平行运动的四个八度.

9. All major 和 minor arpeggios in root position: h和s one octave apart, 16的笔记, 最小四分音符=96, 平行运动的四个八度.

10. Sight-read selections from vocal 和 instrumental literature.

申请人 must perform with their own Instrumentalists for the ensemble selections. 如有需要，MSM会推荐合作者.

1. One sonata by Ludwig van Beethoven from the following list:

• 小提琴奏鸣曲Op. 12 No. 3, Op. 30 No. 2, Op. 30 No. 3, Op. 47或Op. 96
• 大提琴奏鸣曲作品. 69, Op 102. No. 1, Op. 102 No. 2
• 或另一首难度相当的奏鸣曲

2. One Romantic work from the following list to be performed with the applicant’s collaborator:

• 约翰内斯·勃拉姆斯:小提琴奏鸣曲作品. 78或Op. 108
• 约翰内斯·勃拉姆斯——大提琴奏鸣曲作品. 99
• 约翰内斯·勃拉姆斯-单簧管/中提琴奏鸣曲Op 120. No. 1号或Op 120号. 2
• 加布里埃尔·福尔小提琴奏鸣曲作品. 13
• 弗兰克-小提琴/大提琴奏鸣曲
• 或其他难度相当的工作

3. One 20th-century work from the following to be performed with the applicant’s collaborator:

• 塞缪尔·巴伯-大提琴奏鸣曲作品. 6
• 克劳德·德彪西:大提琴奏鸣曲
• 谢尔盖·普罗科菲耶夫:小提琴奏鸣曲作品. 80或Op. 94a
• 或其他难度相当的工作

4. 一首前奏曲和赋格，J.S. Bach from either book of The Well-Tempered Clavier.

5. One solo piano piece of the applicant’s choice written in the 19th or 20th century. The composer you choose must be different from any of those chosen from the lists in requirements #1, 上面的第二条和第三条. 独奏曲目不需要凭记忆演奏.

6. A classical vocal work by an underrepresented composer to be played 和 sung at the same time by the applicant in the original language. Applicant will play 和 sing all parts 和 will be judged on coordination ability, not on vocal quality or vocal technical accomplishment.

7. All major 和 melodic or harmonic minor scales: h和s one octave apart, 16的笔记, 最小四分音符=112, 平行运动的四个八度.

8. All major 和 minor arpeggios in root position: h和s one octave apart, 16的笔记, 最小四分音符=96, 平行运动的四个八度.

9. Sight-read selections from st和ard instrumental literature.

申请人 must perform with their own Instrumentalists for the ensemble selections. 如有需要，MSM会推荐合作者.

Performing from memory is not required, including solo repertoire.

1. One sonata by Ludwig van Beethoven from the following list:

• 小提琴奏鸣曲Op. 12 No. 3, Op. 30 No. 2, Op. 30 No. 3, Op. 47或Op. 96
• 大提琴奏鸣曲作品. 69, Op 102. No. 1, Op. 102 No. 2
• 或另一首难度相当的奏鸣曲

2. One Romantic work from the following list to be performed with the applicant’s collaborator:

• 约翰内斯·勃拉姆斯:小提琴奏鸣曲作品. 78或Op. 108
• 约翰内斯·勃拉姆斯——大提琴奏鸣曲作品. 99
• 约翰内斯·勃拉姆斯-单簧管/中提琴奏鸣曲Op 120. No. 1号或Op 120号. 2
• 加布里埃尔·福尔小提琴奏鸣曲作品. 13
• 弗兰克-小提琴/大提琴奏鸣曲
• 或其他难度相当的工作

3. One 20th-century work from the following to be performed with the applicant’s collaborator:

• 塞缪尔·巴伯-大提琴奏鸣曲作品. 6
• 克劳德·德彪西:大提琴奏鸣曲
• 谢尔盖·普罗科菲耶夫:小提琴奏鸣曲作品. 80或Op. 94a
• 或其他难度相当的工作

4. 一首前奏曲和赋格，J.S. Bach from either book of The Well-Tempered Clavier.

5. One solo piano piece of the applicant’s choice written in the 19th or 20th century. The composer you choose must be different from any of those chosen from the lists in requirements #1, #2, 还有上面的第三条. 独奏曲目不需要凭记忆演奏.

6. A classical vocal work by an underrepresented composer to be played 和 sung at the same time by the applicant in the original language. Applicant will play 和 sing all parts 和 will be judged on coordination ability, not on vocal quality or vocal technical accomplishment.

7. All major 和 melodic or harmonic minor scales: h和s one octave apart, 16的笔记, 最小四分音符=112, 平行运动的四个八度.

8. All major 和 minor arpeggios in root position: h和s one octave apart, 16的笔记, 最小四分音符=96, 平行运动的四个八度.

9. Sight-read selections from st和ard instrumental literature.